In this interview circus artist Martin Riedel and technology artist and programmer UliK discuss their productive collaborative work at the intersection of performance art and technology.
Ines Theileis and David Ziegler discuss the vision and possibilities of the Science Variety Show to bring art and science together.
In this interview, Aparna Rao discusses her approach to technology, the nature of her many collaborations with technologists and her interest in combining high-tech and high-art.
This interview complements 'K. O. Götz as psychologist' in which Karin Götz explains the Visual Aesthetic Sensitivity Test (VAST).
The artist Ursula Damm and the neuroscientist Birgit Brüggemeier talk about interspecies communication between humans and flies.
Angelika Boeck is a visual artist who received her doctorate in Ireland - a border crosser between art and science.
malatsion's science-related installation Genese/genesen reflects her interest in modern biology and the ethical issues it raises.
Turning from research biology to visual art - Silvia Stocchetto`s work combines realistic and fantastic elements, crossing the border between science and art.
In the second part of his interview, Dr Ira Seidenstein shares his thoughts on the cultural and intermedial appeal of the clown character.
Cordula Hesselbarth is an artist and science illustrator. In Part I of the interview, her concept of science-related art is worked out in all its aspects. Part II will be published in the first half of 2019.
In the first part of his interview, he explains his approach to research, his understanding of clowning, and the ways he teaches his students to discover the elasticity of their own imagination, and the creativity and performative powers a clown needs on stage.
A conversation with Irene Daum and Peter Tepe | Section: Interviews Part II (Back to Part I) You also collaborate with architects and are a member of the Bund der Architekten (BDA – Association…
Mischa Kuball: “The idea [of New Pott] was born of my (so-called German) contribution to the 34th Sao Paolo Biennale in 1998 which was curated by Paulo Herkenhoff under the general theme of anthropophagy with reference to the homonym manifesto by Oswald de Audrade from 1927. This manifesto tried to give an answer to the European dominance in the domain of the arts, the Parisian art world pretending that Brazilian artists were copying European modernism. The manifesto replied: No, we will not copy, but guzzle and digest you!”
In conversation with Irene Daum and Peter Tepe the sculptor and painter Thomas Schönauer presents himself as an artist-philosopher. In some of his works he has adopted a science-related approach. In other projects he has collaborated with scientists and engineers.
Gerhard Daum falls into the category of a science-related artist. He bases his work on mathematics, above all on Euclidian geometry, trigonometry and analysis. His approach is experimental, probing different techniques of mathematical construction and then reducing the constructional matrix, while continuously observing the aesthetic effect.
Mischa Kuball: "I do not perceive myself as a double-competent cross-over worker between science and art, but rather as an artist who is working transdisciplinary. As an artist, I contribute to certain scientific research projects. Particularly, there are cooperation projects with the neurosciences neuropsychology and neurophysiology." …
The terms Space Art or Astronomical Art (I prefer the latter) are used for pictorial representations of aspects of the cosmos or the universe. Obviously, Astronomical Art also allows to represent utopias, but always on the basis of the current state of research in natural science. “Beam me up, Scotty” remains Science Fiction. It has to do with science and cultural history, with technology and last but not least with Man, who has always felt the urge to leave planet Earth and to explore the universe. …
A border crosser between science and art is what the online journal calls an individual working both scientifically and artistically in the field of fine arts. I belong to this group, too. (…) I will introduce the reader to some of my artistic works created since 2013. For this purpose, I will select some representative examples from several series and explain their prevailing peculiarities.
Artist interview
Meral Alma, although you are still studying at the Düsseldorf Art Academy under Siegfried Anzinger, as a painter over the last three years you have managed to position yourself remarkably well in the art market. Seven solo exhibitions, participation in over twenty group exhibitions, two-time winner of the talent award of the Düsseldorf Art Academy.